“My work has become my hobby,” says Richard Samko, the second ever Romani news anchor on Czech Television. “The work is colorful and diverse. It’s also an adrenaline rush, and I like that.”

[Richard Samko, photo credit Czech Radio]

Samko has worked in the field of journalism for eleven years as a reporter, news anchor and more recently host of Events and Commentary, a nightly program featuring news analysis and political commentary.

In the late 1990s, the Dženo Association introduced Samko to the world of journalism in a training designed to bring up a new generation of Romani reporters.

Samko is a pioneer, with only Ondřej Giňa, Jr., the first news anchor of Romani background in the Czech Republic, having blazed the trail before him. Samko’s drive, energy and passion for his work in the news media underscore our conversation.

“I stuck with it for years, working my way up, because I wanted to make it far,” says Samko. “The opportunity was something a person gets only once in a lifetime. To get to work in Czech Television is huge; it’s power.”

Samko has covered topics as wide-ranging as immigration, problems inside the police force, right-wing extremism, traffic law, housing issues and unemployment. He has also taken part in producing documentaries, an interest he would like to pursue in greater depth.

One documentary on which Samko collaborated was The Saga of the Roma (Sága Romů), a film examining the changes in the Romani community and its relationship to the majority population during the second half of the 20th century. Samko confesses filmmaking is his dream.

“When I worked on The Saga, filmmaking really grabbed me. I saw that the work was more creative,” Samko recalls. “I then made a few short documentaries myself.”

“I would like to make a film that is Roma-themed,” Samko continues. “I can see that as the most realistic undertaking for me; a topic which I understand the best and can say the most about.”

One of the most powerful aspects of being so visible in the media is Samko’s ability to inspire Romani children, who look up to him as a role model from their own ranks.

Whenever Samko’s hectic schedule allows it, Samko travels to Romani cultural festivals to act as master of ceremonies and to speak to the children.

“I want the children to see a positive example of what is possible to achieve,” says Samko.

One of his projects is a program called Fledglings (Ptáčata), in which a television crew follows a group of second-graders, many of them Romani, as they learn to become camera operators, reporters and news anchors while documenting their own lives.

Samko is a visionary. He recognizes the potential in his community and advocates for the skills of those newly trained in his field to be harnessed. Once funding for Dženo’s Romani station Radio Rota is renewed and the broadcast expanded via digital satellite technology, Samko, who would work with the station in advisory capacity, sees an enormous opportunity for a new generation of journalists.

“Radio Rota should be funded,” asserts Samko, “because it would serve as a base for those who have started on a path towards a career in journalism. There is a potential here that should be developed further. In mainstream television, where I work, there is no time for on-the-job training or mentoring. New journalists have to be ready to start working at a professional level. That’s where media organizations such as Dženo and Radio Rota come in.”

Another role that Radio Rota could fulfill is that of enabling journalists from the majority population to access experiences of the members of Romani community whose issues would be of interest because they ‘affect the entire country,’ as Samko says.

“Mainstream media could draw on the work of Romani journalists reporting for Radio Rota,” Samko continues, “because they tend to be the ones with access to the Romani community, something the average Czech reporter doesn’t have.”

In addition to providing information mainstream journalists could draw on as well as hands-on experience to young Romani reporters, Radio Rota, because the Czech Republic is in the center of Europe, could serve as the heart of Romani newscasting, says Samko.

“Radio Rota could broadcast news programming from around the world,” Samko envisions. “We know journalists in Bulgaria, Hungary, Russia, Poland, etc. We know people everywhere. In all these places there are journalists who would contribute Romani-themed programs. The station could be a pan-European showcase.”

To close, Samko urges: “I want my fellow Roma to persevere in doing what they enjoy despite obstacles they may encounter. The opportunities are there. It may take a few years. There will be a few years of waiting, but then the chance to get to a better place will arrive and they will be able to fulfill their dreams.”

“And as far as the majority community is concerned,” Samko concludes, “more tolerance is necessary. There needs to be more room and less judgement of people based on their looks or minority status. Minorities must be given a chance.”

Journalists throughout Europe have been sounding an alarm about the trends of increasing conglomeration, censorship and diminishing freedom of the press. Where does the Czech Republic stand in terms of media freedom? How do independent vs. corporate media outlets fare? Is there room for human rights journalism in the current media environment? These are some questions I am seeking to answer, seeing them as relevant to my fellowship with the Dženo Association, which is partly a media organization with a history of magazine publishing, broadcasting and training journalists.

In its 2007 report surveying media freedom in the European Union, the Association of European Journalists found that freedom of the press is relatively unrestrained in the Czech Republic:

The Czech media enjoy a comparatively high level of media freedom and independence, reflected in the relatively mature media scene and the lack of high-profile violations of the media’s ability to report on events in public life. Reporters Sans Frontieres, in its Press Freedom Index for 2006, ranked the Czech Republic in 5th place out of 168 countries assessed.

However, the Czech Republic’s press freedom rating has since plummeted to the 24th place. Also, the report raises several concerns, among them subtle pressure sometimes exerted by business and political interests to influence reporters. Also among the report’s criticisms is the problem that “Czech journalists sometimes fail to demonstrate the independence of mind and professional rigour needed to report adequately on sensitive issues,” and that they “have shown a lack of independence and determination in questioning politicians and their decisions.”

The concerns above are echoed by media expert and Czech journalism professor Jaromír Volek, who writes:

The continuing influence of the state on the public service sector is an. . . issue. This has been de facto “privatized” by the parliamentary parties and used as a megaphone for their own political ambitions; in effect they use the media to shut off individuals not affiliated to a political party from the public debate.

Regarding the rigor needed for reporters to question authority and provide alternative angles, Volek asserts that Czech journalism exhibits “a surprising degree of conformity in approaches, which, in turn, results in the campaign-style promotion of social agendas and collective media interpretations.”

This reality is compounded by the fact that three of the four largest-circulation dailies “pursue a center-right political agenda,” while the vast majority of journalists themselves subscribe to center-right political views and reject the Left. In fact, a study by the media monitoring group Hermes of the most widely read daily, MF Dnes, showed that left-wing political parties were presented less favorably than the right. Mainstream Czech press is thus clearly slanted ideologically, which has an impact on minority rights and social issue coverage. Pertinent to my fellowship is the fact that although a formal survey of the political preferences of the Roma community has not been carried out, the general assumption in and outside the Roma community is that the Roma are overall a left-leaning voter constituency.

The Association of European Journalists shares Volek’s view about the declining journalistic standards, which “tend to encourage passivity and acceptance of the status quo instead of vigilance.” The level of political debate and focus in reporting, says the AEJ analysis, is often “characterised by populism and an excessive focus on personality” and dominated by “dumbed-down” content.

But why this substandard quality of journalism in the Czech Republic? Both Volek and the Institute of Democracy for All, a media monitoring group, have argued that this deficiency is caused by the consolidation of ownership and commercialization, even “tabloidization“of the media.

After the fall of communism in 1989, a rush to privatize all state assets ensued. The Czech media were no exception.

“The Czech Republic,“ writes Milan Šmíd in “Media Ownership and Its Impact on Media Independence and Pluralism.”, a 2004 Peace Institute report, “was the first country in Central and Eastern Europe to award a nation-wide broadcasting license to a private person, and to allocate a complete network of frequencies formerly used by public television to private television. . . (By 1993), there were no state media in the country. Three former state media outlets, i.e. Czech Television, Czech Radio and the Czech Press Agency (CTK) already operated as independent public service companies. . . All other media companies were in private hands.“

Now with more than eighty percent of all state-run enterprises privatized, the Czech Republic, with a population of just over 10 million, has the highest concentration of foreign-owned press in Central and Eastern Europe after Poland.

Although 87 percent of Czech print media outlets are foreign-owned, with German and Swiss companies owning 80 percent of Czech newspapers and magazines, the media monitoring group Institute of Democracy for All asserts that commercialization, homogenization and a trend toward infotainment have much more of an impact on today’s journalism than the nationality of the media owners.

Volek expresses a similar analysis:

Unable to reconcile their former role with the demands of the new technology and economic pressures, journalists have gradually been “de-intellectualized” and reduced to administering the machinery of communication. The “new type of journalist” as a “media employee”, whose existence depends on respecting the dominant logic of infotainment has, for now, won out over the traditional role of the journalist as reporter and interpreter of events.

He continues: “Most of the Czech media have adapted to the economic realities of the market: the media is just one more commodity forced to adapt to market imperatives as it comes ever closer to being little more than infotainment.”

If mainstream journalists are so beholden to economic, and sometimes political pressures that content starts to become uncritical and tabloid-like, the role of independent media is even more important in terms of investigative reporting and of presenting of stories which may not have commercial appeal or mainstream political endorsement, but may be crucial to the understanding and reforming of the current political and social landscape in the Czech Republic. Such is the role media organizations like Romea, a Prague-based Roma news service, and my host organization Dženo which plans to launch an international, multilingual satellite broadcast on Roma issues and culture. The question is always that of funding and funding priorities.

“Media publishers and broadcasters support investigative journalism only exceptionally,” writes media analyst Milan Šmíd in the Peace Institute media study,” not because of its contentious nature, but because it is an expensive, time consuming and costly affair.”

The current economic crisis is creating yet another excuse for those with the purse strings to divest from social services and causes. Perhaps there are still those funders who see the value of independent media and are willing to support the voices of the underrepresented for the long haul. Media freedom and diversity as well as independent and probing journalism are signs of a healthy democracy.

I just came across a fascinating blog post by award-winning reporter and journalism professor Michael J. Jordan, currently based in Slovakia. His lengthy list of accomplishments includes developing trainings for European Roma journalists.

From his long-term experience in journalism and his discussions with reporters in Central and Eastern Europe, Jordan concludes that the need for human rights journalism is pressing. In his recent meeting with the representatives from Slovak media, Jordan observed:

The assembled reporters… described how tough it can be to make the case to editors for why to approach stories with greater sensitivity, or also pursue positive Roma stories, or report more critically about far-right demonstrations. Or even why the majority should care about the state of its Roma minority – as a “litmus test” for Slovak democracy, values and respect for human rights.

Jordan wonders “out loud” what “fair and balanced” reporting on the Roma issues should look like. The local human rights journalists present explain:

The hatred has been planted so deep, there’s no space for high-minded, Western-liberal, even-handedness in broadcasting. The Roma are so beaten down by society’s perception of them, many have themselves developed low esteem for their own identity and peoplehood.

The information that follows is golden for me and others working with community-based Roma media advocacy groups. Jordan explains that human rights journalism is needed primarily for “the Roma themselves: to remind them of their humanity.”

Additionally, he explains, “the second target audience was equally striking: the ordinary (majority citizens) genuinely curious about Roma culture, and those who in fact have some warm feelings for the Roma – or, at least for their Roma neighbor or colleague, past or present.”

My AP fellowship’s goals match just that. In my work I aim to deliver positive portrayals of the Roma to correct the deeply entrenched, damaging stereotypes so prevalent in European societies. Jordan’s piece helps shed more light on yet another aspect of why this type of reporting is needed. This work is needed to boost the Roma community’s self-image and morale, which will in turn strengthen the Roma emancipation movement. Pro-Roma press coverage may also help attract more allies from the majority community to advocate for social change. Profound stuff.